Rebirth Workshop 2012 (non-digital techniques)
Apr 10, 2012 at 6:00 PM Last week I had the great priveledge of hanging out with some amazing photographers at an equally amazing location in Clarksdale, Mississippi. It was five days of creative energy at the coolest hotel I've ever stayed in, the Shack Up Inn. For information on next year's retreat, go to http://www.rebirthworkshops.com.
I didn't get to make one, but Sarah Hodzic also taught many of the participants how to make encaustic wax images from digital prints. The technique is one of the oldest known methods for painting, and creates some very unique one-of-a-kind pieces. Hosting the entire event (and the gallery show) was Will Jacks, while being assisted closely by Chris Willams, Chris Pike, and Jessica Del Vecchio (among others). I can enthusiastically recommend any of these photographers, and thank them immensely for putting on the workshop.
Lately I've been working a little more with film, and this was an opportunity to just get out and play. One of the formal activities was to make an image using a 4x5" view camera - then print that image using palladium. Here's the final result (it's a beer growler, with my reflection). This work was led by New Orleans Photographer, Thom Bennett.

Another formal activity was to create an image using one of the oldest photographic techniques, wet plate colloidon, on an aluminum plate - the so-called "tin type". (This is very similar to the process which was used to document the Civil War) Of course I couldn't pass on the opportunity to be in one - so I made a self-portrait using a replica outhouse on the property. Instead of a Sears and Roebuck catalog, I was reading a Wal-Mart sale ad for an excruciating 60 seconds. I'm really not fond of black widows or brown recluse, both spiders are notorious for hanging out in such places. Wet plate colloidon photography was led by the enigmatic Euphus "Butch" Ruth.

Oh, how I would LOVE to make glass plate negatives for contact printing to palladium or silver... (next year?)
As stated above, I also played with film cameras. My personal weapons of choice for the week were my trusty Agfa Isollette and a borrowed (about to be purchased) Mamiya 645E. I had a remnant roll of color film in the Agfa, and the Mamiya ran nothing but black and white. Both use 120 size film. Here's a few of my favorite scans.

































